Clothing sacred scriptures: book art and book religion in Christian, Islamic and Jewish cultures

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The c...

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Dettagli Bibliografici
Altri autori: Ganz, David 1952- (Redattore) ; Schellewald, Barbara Maria 1952- (Redattore)
Tipo di documento: Elettronico Libro
Lingua:Inglese
Tedesco
Verificare la disponibilità: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Pubblicazione: Berlin Boston De Gruyter [2019]
In: Manuscripta Biblica (Volume 2)
Anno: 2019
Periodico/Rivista:Manuscripta Biblica Volume 2
(sequenze di) soggetti normati:B Cristianesimo / Islam / Manoscritto miniato / Storia 500-1500
B Judaica / Miniatura / Storia 500-1500
B Legatura di lusso / Manoscrittto liturgico / Storia 500-1500
B Sacre Scritture / Grafia / Design del libro / Ebraismo / Cristianesimo / Islam / Storia 500-1500
Altre parole chiave:B Miniatura
B Sacred Books History and criticism
B Aesthetics Religious aspects
B Art and religion
B Book illumination
B Abbellimento
B Religious Literature History and criticism
B Materiality
B Raccolta di saggi
B Religione del libro
B Ornamento
B Book religion
B Wesentlichkeit
Accesso online: Copertina
Cover (Verlag)
Accesso probabilmente gratuito
Volltext (lizenzpflichtig)
Edizione parallela:Non elettronico
Descrizione
Riepilogo:According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
ISBN:3110558602
Persistent identifiers:DOI: 10.1515/9783110558609