Clothing sacred scriptures: book art and book religion in Christian, Islamic and Jewish cultures

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The c...

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Библиографические подробности
Другие авторы: Ganz, David 1952- (Редактор) ; Schellewald, Barbara Maria 1952- (Редактор)
Формат: Электронный ресурс
Язык:Английский
Немецкий
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Fernleihe:Fernleihe für die Fachinformationsdienste
Опубликовано: Berlin Boston De Gruyter [2019]
В: Manuscripta Biblica (Volume 2)
Год: 2019
Серии журналов/журналы:Manuscripta Biblica Volume 2
Нормированные ключевые слова (последовательности):B Христианство (мотив) / Ислам (мотив) / Иллюминированная рукопись / История (мотив) 500-1500
B Иудаика / Живопись в книге / История (мотив) 500-1500
B Роскошный переплёт / Литургический манускрипт / История (мотив) 500-1500
B Святое писание / Почерк / Офрмление книги / Иудаизм (мотив) / Христианство (мотив) / Ислам (мотив) / История (мотив) 500-1500
Другие ключевые слова:B Sacred Books History and criticism
B Живопись в книге
B Aesthetics Religious aspects
B Art and religion
B Book illumination
B Книжная религия
B Religious Literature History and criticism
B Materiality
B Сборник статей
B Орнаментика (музыка)
B Book religion
B Орнамент
B Wesentlichkeit
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Описание
Итог:According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
ISBN:3110558602
Persistent identifiers:DOI: 10.1515/9783110558609