The Art of Divine Meditation in George Herbert’s The Temple

George Herbert’s The Temple exemplifies the principles of Protestant meditation described by Joseph Hall in The Art of Divine Meditation (1606). Shaped by Catholic and Protestant traditions, Hall’s approach to meditation combines deliberate and extemporary reflection on natural and artificial object...

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Detalhes bibliográficos
Autor principal: Faber, Ben (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: Johns Hopkins University Press [2016]
Em: Christianity & literature
Ano: 2016, Volume: 66, Número: 1, Páginas: 73-89
Classificações IxTheo:CB Existência cristã
CD Cristianismo ; Cultura 
KAG Reforma
KBF Ilhas Britânicas
KCA Ordens e congregações
Outras palavras-chave:B Augustinian
B HALL, Joseph, 1574-1656
B Herbert, George, 1593-1633
B The Temple
B Meditação
B Joseph Hall
B George Herbert
B TEMPLE, The (Poem)
B Augustinians
Acesso em linha: Volltext (lizenzpflichtig)
Descrição
Resumo:George Herbert’s The Temple exemplifies the principles of Protestant meditation described by Joseph Hall in The Art of Divine Meditation (1606). Shaped by Catholic and Protestant traditions, Hall’s approach to meditation combines deliberate and extemporary reflection on natural and artificial objects. Like Hall, Herbert in The Temple practices the Augustinian habit of reading mundane signs as emblems with spiritual signification. More particularly Hallian are the stages—from the preparation of the subject for meditation through the dynamic concentration on the object of meditation to the transformation of the subject—that the reader of Herbert’s poems follows. Taken individually, in sets, and in the whole three-part collection, the sacred poems and private ejaculations of The Temple are spiritual exercises that bear the hallmarks of Anglican meditation.
ISSN:2056-5666
Obras secundárias:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1177/0148333116679117