Rehearsing Justice: Theatre, Sexuality and the Sacred
The theatre actor's process in a rehearsal hall is reality and metaphor. It can be a rehearsal for justice, where we can live freely. In this laboratory the actor becomes all of us. Like the actor, we inhabit our bodies and our sexualities, sometimes as spiritual practice, or as sacred and crea...
Autor principal: | |
---|---|
Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado em: |
Sage
[2017]
|
Em: |
Feminist theology
Ano: 2017, Volume: 25, Número: 2, Páginas: 170-181 |
Classificações IxTheo: | FD Teologia contextual NBE Antropologia |
Outras palavras-chave: | B
Women
B Incarnation B rehearsal B Character B Actor B Spiritual Formation B Theatre B Bodies B Sexual minorities B LGBT B the sacred B Spiritual Practice |
Acesso em linha: |
Presumably Free Access Volltext (lizenzpflichtig) |
Resumo: | The theatre actor's process in a rehearsal hall is reality and metaphor. It can be a rehearsal for justice, where we can live freely. In this laboratory the actor becomes all of us. Like the actor, we inhabit our bodies and our sexualities, sometimes as spiritual practice, or as sacred and creative, even as incarnations. In particular, women's bodies remember what it is like to be no-body and what it is like to be a some-body. The texts of women's bodies contain their history of pain, wellness and illness. In creating a character, the actor creates a biography, an inner life, and the actor's imagination aligns with the character's situation. This is the creation of a character's 'living story'. Similarly, for all of us, this is akin to self knowledge. When women and sexual minorities tell their stories and listen to each others' self knowledge, they are reading their bodies as texts. And worlds split open. |
---|---|
ISSN: | 1745-5189 |
Obras secundárias: | Enthalten in: Feminist theology
|
Persistent identifiers: | DOI: 10.1177/0966735016673259 |