Provoked to Saving Jealousy: Reading Romans 9–11 as Theological Performance

The history of interpretation indicates that Christian interpretations take Romans 9–11 as a single, coherently designed statement of doctrine. There are, of course, disagreements within the consensus, but most readers seem to share two basic assumptions: (1) the apostle had a particular point to ma...

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Detalles Bibliográficos
Autor principal: Green, Chris E.W. (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Brill 2016
En: Pneuma
Año: 2016, Volumen: 38, Número: 1/2, Páginas: 180-192
Clasificaciones IxTheo:HC Nuevo Testamento
NBK Soteriología
NBL Predestinación
Otras palabras clave:B Romans 9–11 soteriology Pauline theology election / predestination
Acceso en línea: Volltext (Verlag)
Descripción
Sumario:The history of interpretation indicates that Christian interpretations take Romans 9–11 as a single, coherently designed statement of doctrine. There are, of course, disagreements within the consensus, but most readers seem to share two basic assumptions: (1) the apostle had a particular point to make, which he crafted with perfect success, and (2) a good reading of the passage discovers that point and makes it understandable so it can be used to build or support a particular Christian teaching. At an angle to that tradition, I want to suggest that Romans 9–11 can perhaps also (if not more) fruitfully be read not as a tidy doctrinal treatise but as a torrid theological performance, a transfiguring work of art staged as a series of rhetorical moves and countermoves that in the end leaves us not with nothing but with more than we dared to imagine possible.
ISSN:1570-0747
Obras secundarias:In: Pneuma
Persistent identifiers:DOI: 10.1163/15700747-03801014