Evaluating the Effects of Artistic Impregnation of Scientific Objects on Qualifiers of Perceptual Assessment Through Self-Report Questionnaires: Implications for an Emerging Experimental Neuroepistemology
This report summarizes our preliminary efforts to delineate, at controlled experimentation, the impact of art, and artistic aesthetics, on the way we assess science. Our results suggest that the analytic-synthetic axis of perceptual cognitive handling of the scientific object is unaffected by its ar...
| Главные авторы: | ; ; |
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| Другие авторы: | ; ; |
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Опубликовано: |
Brill
2017
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| В: |
Journal of cognition and culture
Год: 2017, Том: 17, Выпуск: 1/2, Страницы: 129-145 |
| Другие ключевые слова: | B
aesthetics in science
cognition
contemporary art
emotion
neuroaesthetics
perception
scientific method
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| Online-ссылка: |
Volltext (Verlag) |
| Итог: | This report summarizes our preliminary efforts to delineate, at controlled experimentation, the impact of art, and artistic aesthetics, on the way we assess science. Our results suggest that the analytic-synthetic axis of perceptual cognitive handling of the scientific object is unaffected by its artistic non-conventional contextualization, while cognitive abstraction, positive emotions and aesthetic impressions are favoured. Implications to philosophical foundations of the Cartesian scientific method are considered. |
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| ISSN: | 1568-5373 |
| Второстепенные работы: | In: Journal of cognition and culture
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| Persistent identifiers: | DOI: 10.1163/15685373-12342195 |