Cliffs as Crosses: The Problematic Symbology of Colin McCahon
This paper examines the schism between intended message and reception in the case of New Zealand artist Colin McCahon (1919-1987). McCahon was heavily influenced by Christianity, for him linked inextricably to a message of ecological conservation, and he considered painting to be a prophetic task. A...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Otago, Department of Theology and Religion
[2012]
|
In: |
Relegere
Year: 2012, Volume: 2, Issue: 1, Pages: 5-35 |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
MARC
LEADER | 00000naa a22000002 4500 | ||
---|---|---|---|
001 | 1564805387 | ||
003 | DE-627 | ||
005 | 20171026115644.0 | ||
007 | cr uuu---uuuuu | ||
008 | 171026s2012 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.11157/rsrr2-1-487 |2 doi | |
035 | |a (DE-627)1564805387 | ||
035 | |a (DE-576)494805382 | ||
035 | |a (DE-599)BSZ494805382 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |a 1 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1071362046 |0 (DE-627)825725984 |0 (DE-576)433040378 |4 aut |a Alderton, Zoe | |
109 | |a Alderton, Zoe | ||
245 | 1 | 0 | |a Cliffs as Crosses |b The Problematic Symbology of Colin McCahon |c Zoe Alderton |
264 | 1 | |c [2012] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a This paper examines the schism between intended message and reception in the case of New Zealand artist Colin McCahon (1919-1987). McCahon was heavily influenced by Christianity, for him linked inextricably to a message of ecological conservation, and he considered painting to be a prophetic task. As such, McCahon hoped to bring about the religious and behavioural transformation of his audience. McCahon’s Necessary Protection artworks use Christian symbols as a means of communicating the importance of faith as well as his fear of environmental degradation and the necessity of loving one’s homeland. However, McCahon’s complex symbolic lexicon has often proven to be too esoteric to have the intended affect on its intended audience. | ||
601 | |a McCahon, Colin | ||
773 | 0 | 8 | |i Enthalten in |t Relegere |d Dunedin : University of Otago, Department of Theology and Religion, 2011 |g 2(2012), 1, Seite 5-35 |h Online-Ressource |w (DE-627)666213631 |w (DE-600)2622499-9 |w (DE-576)348749139 |x 1179-7231 |7 nnns |
773 | 1 | 8 | |g volume:2 |g year:2012 |g number:1 |g pages:5-35 |
856 | 4 | 0 | |u https://relegere.org/relegere/article/view/487 |x Verlag |x Resolving-System |z kostenfrei |3 Volltext |
856 | |u https://doi.org/10.11157/rsrr2-1-487 |x doi |3 Volltext | ||
936 | u | w | |d 2 |j 2012 |e 1 |h 5-35 |
951 | |a AR | ||
ELC | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 2986104398 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1564805387 | ||
LOK | |0 005 20171026115644 | ||
LOK | |0 008 171026||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |