Colonial art as ethnic unifier

The use of religious art and architecture for building community among immigrant communities in the United States is a well-documented phenomenon. But how is the use of religious culture adapted for a multinational, multi-ethnic and multiracial immigrant enclave that witnesses high levels of change...

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主要作者: Garcia, Alfredo (Author)
格式: 電子 Article
語言:English
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出版: Taylor and Francis Group [2017]
In: Culture and religion
Year: 2017, 卷: 18, 發布: 4, Pages: 409-427
Standardized Subjects / Keyword chains:B Miami, Fla. / 多元文化社會 / 天主教會 / 教會會眾 / 宗教藝術 / 整合 (政治)
IxTheo Classification:AG Religious life; material religion
KBQ North America
KDB Roman Catholic Church
Further subjects:B COLONIAL ART
B Neighborhoods
B Communities
B Catholicism
B Miami
在線閱讀: Volltext (doi)
實物特徵
總結:The use of religious art and architecture for building community among immigrant communities in the United States is a well-documented phenomenon. But how is the use of religious culture adapted for a multinational, multi-ethnic and multiracial immigrant enclave that witnesses high levels of change and turnover? This paper draws from ethnographic work in the Catholic Church that serves the neighborhoods of Wynwood and Allapattah in Miami, Florida, to demonstrate how one religious community has used religious art and architecture to unite in the face of difference. As ‘landing neighborhoods', these neighborhoods have historically received immigrants from a host of nations in Latin America before they move on to other areas of the city. Through the use of colonial art and architecture, in particular, Corpus Christi Catholic Church was able to build community in these diverse, low-income, and transient neighborhoods. By emphasising commonality of history and practice, faith leaders were able to use this colonial culture as a ‘strategy of action' for creating unity amidst difference.
ISSN:1475-5629
Contains:Enthalten in: Culture and religion
Persistent identifiers:DOI: 10.1080/14755610.2017.1376691