On listening to The Scarlet Tide (by T Bone Burnett and Elvis Costello) from Cold Mountain: a movie song and its afterlife
This article examines how the emerging concept of affective space can be applied to movie soundtracks, with particular reference to The Scarlet Tide written by T Bone Burnett and Elvis Costello for the film Cold Mountain (dir. Anthony Minghella 2003) and the implications this has for the place of...
| Autor principal: | |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Carfax Publ.
[2017]
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| En: |
Journal of contemporary religion
Año: 2017, Volumen: 32, Número: 1, Páginas: 135-147 |
| (Cadenas de) Palabra clave estándar: | B
Frazier, Charles 1950-, Cold mountain
/ Banda sonora
/ Religión
/ Espiritualidad
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| Otras palabras clave: | B
Spirituality
B affective space B Religión B distributed self B Social Imaginary B Meaning Making |
| Acceso en línea: |
Volltext (Verlag) |
| Sumario: | This article examines how the emerging concept of affective space can be applied to movie soundtracks, with particular reference to The Scarlet Tide written by T Bone Burnett and Elvis Costello for the film Cold Mountain (dir. Anthony Minghella 2003) and the implications this has for the place of religion in film culture. The article explores how affective space works with the experience of individual listeners and the wider social context. Both affective expressions can shape how this track is received and integrated into a process of meaning making. The article concludes with an assessment of some implications that this discussion has for understanding the social nature of music, religion, and spirituality. |
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| ISSN: | 1469-9419 |
| Obras secundarias: | Enthalten in: Journal of contemporary religion
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| Persistent identifiers: | DOI: 10.1080/13537903.2016.1256661 |