TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music
This article presents the methodology and research underpinning the TheoArtistry Composers' Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-2017). I analyse Sir James MacMillan's theology of music, o...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
[2018]
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| Dans: |
Religions
Année: 2018, Volume: 9, Numéro: 1, Pages: 1-18 |
| Sujets non-standardisés: | B
Theology
B Hebrew Bible B Composition B Choral music B theoartistry B James MacMillan B Annunciation B sacred music B Michael Symmons Roberts B Jeremy Begbie |
| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) Volltext (doi) |
| Résumé: | This article presents the methodology and research underpinning the TheoArtistry Composers' Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-2017). I analyse Sir James MacMillan's theology of music, outline some practical and theoretical issues that arose in setting up theologian-composer partnerships, and reflect critically on the six new works of sacred choral music that emerged (these are printed as supplementary materials). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally. |
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| ISSN: | 2077-1444 |
| Contient: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel9010007 |