The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet
I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance....
| 主要作者: | |
|---|---|
| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | 載入...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
MDPI
[2019]
|
| In: |
Religions
Year: 2019, 卷: 10, 發布: 1, Pages: 1-13 |
| Further subjects: | B
Dreyer
B Phenomenology B Spirituality B 電影 B Kierkegaard B 宗教 B Time B Eternity B Temporality B Philosophy |
| 在線閱讀: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
| 總結: | I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance. I propose that the notoriously divisive ending of Ordet reflects an aim to provide the film's viewers with an experience of this very sort. I draw throughout on some central ideas in Kierkegaard's work, especially his category of the moment.' |
|---|---|
| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
|
| Persistent identifiers: | DOI: 10.3390/rel10010058 |