Gregorian chant
Machine generated contents note: Preface; 1. Gregorian chant in the service of the church; 2. The beginnings of Roman chant; other rites and other sorts of chant; 3. Tradition and innovation in medieval chant: from the ninth to the sixteenth century; 4. Thinking about Gregorian chant in the Middle A...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge New York
Cambridge Univ. Press
2009
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| In: | Year: 2009 |
| Reviews: | [Rezension von: Hiley, David, Gregorian Chant. Cambridge Introductions to Music] (2011) (Eden, Bradford Lee)
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| Series/Journal: | Cambridge introductions to music
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| Standardized Subjects / Keyword chains: | B
Gregorian chant
B Gregorian chant / History |
| Further subjects: | B
Gregorian chants
History and criticism
B Textbook |
| Online Access: |
Cover image (Verlag) |
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| 505 | 8 | 0 | |a Machine generated contents note: Preface; 1. Gregorian chant in the service of the church; 2. The beginnings of Roman chant; other rites and other sorts of chant; 3. Tradition and innovation in medieval chant: from the ninth to the sixteenth century; 4. Thinking about Gregorian chant in the Middle Ages, and notating it; 5. New chants for new times: from the sixteenth century to the present; Aspects of performance; Glossary. |
| 520 | |a Machine generated contents note: Preface; 1. Gregorian chant in the service of the church; 2. The beginnings of Roman chant; other rites and other sorts of chant; 3. Tradition and innovation in medieval chant: from the ninth to the sixteenth century; 4. Thinking about Gregorian chant in the Middle Ages, and notating it; 5. New chants for new times: from the sixteenth century to the present; Aspects of performance; Glossary | ||
| 520 | |a "What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant"--Provided by publisher | ||
| 520 | |a "This book tries to answer some of the questions which are often raised about Gregorian chant: what is it about and why is it the way it is? where does it come from, who composed it, and for whom? These are questions about its history, and the book is orientated towards historical matters. Thinking about the nature of Gregorian chant may nevertheless help explain why so many are interested in it and like to listen to it. For it may very well be that more people listen to Gregorian chant today, or have heard it at some time or other, in some form or other, than at any time in history. In sheer numbers, that is, not as a percentage of the population in lands with a Christian heritage. Every so often a recording of Gregorian chant climbs towards the top of the sales charts (as I write these words, the singing of the monks of the Cistercian Abbey of Heiligenkreuz in Austria is making the running). No beat, no harmony, such simple note patterns! Sung quietly, free from tension, it is far removed indeed from modern music of almost every kind, and a welcome respite from the haste and clamour of everyday life. Its 'other-worldly' character appeals to esoteric movements, and it has been thoroughly exploited in branches ofthe entertainment industry"--Provided by publisher | ||
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