The Occult in Modernist Art, Literature, and Cinema

Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Ra...

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Détails bibliographiques
Collaborateurs: Bauduin, Tessel M. 1980- (Éditeur intellectuel) ; Johnsson, Henrik 1978- (Éditeur intellectuel)
Type de support: Électronique Livre
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Cham Palgrave Macmillan 2018
Dans:Année: 2018
Collection/Revue:Palgrave Studies in New Religions and Alternative Spiritualities
SpringerLink Bücher
Springer eBook Collection Religion and Philosophy
Sujets / Chaînes de mots-clés standardisés:B Le caché / Art / Littérature / Film
Classifications IxTheo:AA Sciences des religions
Sujets non-standardisés:B Religious Studies
B Religion
B Fine Arts
B Religions
B Secularism
Accès en ligne: Accès probablement gratuit
Volltext (lizenzpflichtig)
Édition parallèle:Erscheint auch als: 978-3-319-76498-6
Printed edition: 9783319764986

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520 |a Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day 
520 |a 1. Introduction: Conceptualizing Occult Modernism -- 2. A History of Research into Occult Modernist Literature -- Part I Artistic Practices -- 3. Visionary Mimesis and Occult Modernism in Literature and Art Around 1900 -- 4. August Strindberg’s Art in Modernist and Occult Context -- 5. ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship -- Part II Aesthetics -- 6. Return from Oblivion: Joséphin Péladan’s Literary Esotericism -- 7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film -- 8. Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant -- Part III Occulture -- 9. Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes -- 10. Retrogardism and Occulture in Håkan Sandell’s Poetry 
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