Echoes of Rachel's Weeping: Intertextuality and Trauma in Jer. 31:15
The image of Rachel's inconsolable weeping for her lost children in Jer. 31:15 presents a specific kind of response to a cultural trauma. As this paper argues, understanding this response is enriched both by analyzing the extra-textual literary strategy of the passage itself and by engaging in...
| Auteurs: | ; |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
[2019]
|
| Dans: |
Biblical interpretation
Année: 2019, Volume: 27, Numéro: 3, Pages: 413-435 |
| Sujets / Chaînes de mots-clés standardisés: | B
Bibel. Jeremia 31,15
/ Bibel. Genesis 37
/ Rahel, Personnage biblique
/ Traumatisme
/ Intertextualité
/ Allusion
/ Actualité
/ Kanada
|
| Classifications IxTheo: | FD Théologie contextuelle HB Ancien Testament |
| Sujets non-standardisés: | B
Witness Blanket
B Intertextuality B Allusion B Jeremiah B Traumatisme B Exile |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a The image of Rachel's inconsolable weeping for her lost children in Jer. 31:15 presents a specific kind of response to a cultural trauma. As this paper argues, understanding this response is enriched both by analyzing the extra-textual literary strategy of the passage itself and by engaging in an intertextual reading of the ancient text with a contemporary artistic response to trauma. By means of an allusion to Genesis 37, Jer. 31:15 makes a case both for the continued existence of the people of Israel and for the legitimacy of experiencing the exile as a metaphorical death. What Jer. 31:15 accomplishes textually for a sixth century BCE Judean audience, the Witness Blanket accomplishes in a visual medium for threatened Canadian native cultures. Both texts stage a protest against the threat to the continued existence of culture by asserting the persistent potency of its cultural symbols. | ||
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