Oral Aspects: A Performative Approach to 1QM
As the product of a textual community imbedded in an oral culture, the War Scroll can be rewardingly approached as a composition intended for a community of hearers. Indeed, this article demonstrates that 1QM retained an orally fluid textuality and preserves a variety of textual indicators of perfor...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
[2019]
|
In: |
Dead Sea discoveries
Year: 2019, Volume: 26, Issue: 2, Pages: 189-219 |
Standardized Subjects / Keyword chains: | B
Kriegsrolle (Qumran Scrolls)
/ Performance of
/ Orality
|
IxTheo Classification: | HD Early Judaism |
Further subjects: | B
Dead Sea Scrolls
B Qumran B Performance B textuality B War Scroll B Orality |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a As the product of a textual community imbedded in an oral culture, the War Scroll can be rewardingly approached as a composition intended for a community of hearers. Indeed, this article demonstrates that 1QM retained an orally fluid textuality and preserves a variety of textual indicators of performativity: hints of oral engagement, accumulation of imitable practices, and reliance on rhetorical techniques suited to the ear. In examining the performative potentials in the War Scroll's prescriptive (cols. 1-9), prayer (cols. 10-14), and dramatic (cols. 15-19) material, I argue that 1QM can be understood as a spoken text, one which lends itself to performance and embodiment. | ||
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