Jesuit History, Theatre, and Spirituality: Jonathan Moore's Inigo

The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spi...

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Detalhes bibliográficos
Autor principal: Muneroni, Stefano (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Brill [2019]
Em: Religion and the arts
Ano: 2019, Volume: 23, Número: 3, Páginas: 273-292
(Cadeias de) Palavra- chave padrão:B Moore, Jonathan 1963-, Inigo / Ignacio, de Loyola 1491-1556 / Jesuítas / História / Drama religioso
Classificações IxTheo:CB Existência cristã
CE Arte cristã
KCA Ordens e congregações
KDB Igreja católica
Outras palavras-chave:B Ignatius of Loyola
B Jonathan Moore
B Society of Jesus
B Inigo
B Post-secularism
B Jesuit theatre
Acesso em linha: Volltext (Resolving-System)
Volltext (doi)
Descrição
Resumo:The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spirituality draws on performative skills to inspire exemplary behavior and foster an embodied and long-lasting response to devotional narratives. In probing post-secular readings of hagiographical drama, the author considers the reasons for the ongoing fascination exerted by saints as stage characters in contemporary plays and argues that the success of Inigo is due to its humanistic reconfiguration of the notions of sanctity, faith, and redemption, as well as to its understanding of sainthood as the result of answering a religious and artistic vocation.
ISSN:1568-5292
Obras secundárias:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02303004