Jesuit History, Theatre, and Spirituality: Jonathan Moore's Inigo
The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spi...
Autor principal: | |
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Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado em: |
Brill
[2019]
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Em: |
Religion and the arts
Ano: 2019, Volume: 23, Número: 3, Páginas: 273-292 |
(Cadeias de) Palavra- chave padrão: | B
Moore, Jonathan 1963-, Inigo
/ Ignacio, de Loyola 1491-1556
/ Jesuítas
/ História
/ Drama religioso
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Classificações IxTheo: | CB Existência cristã CE Arte cristã KCA Ordens e congregações KDB Igreja católica |
Outras palavras-chave: | B
Ignatius of Loyola
B Jonathan Moore B Society of Jesus B Inigo B Post-secularism B Jesuit theatre |
Acesso em linha: |
Volltext (Resolving-System) Volltext (doi) |
Resumo: | The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spirituality draws on performative skills to inspire exemplary behavior and foster an embodied and long-lasting response to devotional narratives. In probing post-secular readings of hagiographical drama, the author considers the reasons for the ongoing fascination exerted by saints as stage characters in contemporary plays and argues that the success of Inigo is due to its humanistic reconfiguration of the notions of sanctity, faith, and redemption, as well as to its understanding of sainthood as the result of answering a religious and artistic vocation. |
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ISSN: | 1568-5292 |
Obras secundárias: | Enthalten in: Religion and the arts
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Persistent identifiers: | DOI: 10.1163/15685292-02303004 |