Jesuit History, Theatre, and Spirituality: Jonathan Moore's Inigo

The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spi...

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主要作者: Muneroni, Stefano (Author)
格式: 電子 Article
語言:English
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出版: Brill [2019]
In: Religion and the arts
Year: 2019, 卷: 23, 發布: 3, Pages: 273-292
Standardized Subjects / Keyword chains:B Moore, Jonathan 1963-, Inigo / Ignacio, de Loyola 1491-1556 / 耶穌會 / 歷史 / 宗教戲劇
IxTheo Classification:CB Christian life; spirituality
CE Christian art
KCA Monasticism; religious orders
KDB Roman Catholic Church
Further subjects:B Ignatius of Loyola
B Jonathan Moore
B Society of Jesus
B Inigo
B Post-secularism
B Jesuit theatre
在線閱讀: Volltext (Resolving-System)
Volltext (doi)
實物特徵
總結:The 2014 staging and publication of Jonathan Moore's play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore's play, this article contends that Jesuit spirituality draws on performative skills to inspire exemplary behavior and foster an embodied and long-lasting response to devotional narratives. In probing post-secular readings of hagiographical drama, the author considers the reasons for the ongoing fascination exerted by saints as stage characters in contemporary plays and argues that the success of Inigo is due to its humanistic reconfiguration of the notions of sanctity, faith, and redemption, as well as to its understanding of sainthood as the result of answering a religious and artistic vocation.
ISSN:1568-5292
Contains:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02303004