Vox dei, Vox demonium: A Cursory Exploration of "Sound Thinking" in Horror Film

Vox dei, vox demonium marks a cursory attempt to consider a kind of "sound thinking" largely singular to horror film. The essay focuses in particular on the status of "metaphysical subjectivity" as it is modulated by the "sound thinking" of such horror films as The Exor...

Full description

Saved in:  
Bibliographic Details
Published in:Théologiques
Main Author: Wallin, Jason J. 1975- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Fac. [2018]
In: Théologiques
IxTheo Classification:CD Christianity and Culture
NBH Angelology; demonology
ZD Psychology
Online Access: Volltext (doi)
Volltext (kostenfrei)
Description
Summary:Vox dei, vox demonium marks a cursory attempt to consider a kind of "sound thinking" largely singular to horror film. The essay focuses in particular on the status of "metaphysical subjectivity" as it is modulated by the "sound thinking" of such horror films as The Exorcist, The Amityville Horror, and The Exorcism of Emily Rose, amongst others dealing specifically with audio conceptualizations of demonic possession and invocation.
Vox dei, vox demonium constitue une brève tentative de considérer une sorte de "pensée sonore" (sound thinking) qui soit particulière au film d'horreur. Cet article se penche principalement sur le statut de "subjectivité métaphysique" telle qu'elle est modulée par la "pensée sonore" de films d'horreur comme L'exorciste, Amityville : La maison du Diable et L'exorcisme d'Émilie Rose, parmi tant d'autres qui traitent spécifiquement de conceptualisations audios de la possession démoniaque et de l'invocation.
ISSN:1492-1413
Contains:Enthalten in: Théologiques
Persistent identifiers:DOI: 10.7202/1062070ar