Doomsday America: The Pessimistic Turn of Post-9/11 Apocalyptic Cinema

In this article we discuss the cycle of apocalypse films released in the aftermath of the attacks of 11 September 2001, examining the ways in which they conveyed a variety of post-9/11 fears and concerns around issues such as the War on Terror, American imperialism and the environment. In particular...

Descrizione completa

Salvato in:  
Dettagli Bibliografici
Autori: Walliss, John 1974- (Autore) ; Aston, James (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Journals Online & Print:
Caricamento...
Fernleihe:Fernleihe für die Fachinformationsdienste
Pubblicazione: University of Saskatchewan [2011]
In: Journal of religion and popular culture
Anno: 2011, Volume: 23, Fascicolo: 1, Pagine: 53-64
Altre parole chiave:B Film <motivo>
B Apocalypse
B 11 / 9
B contemporary cinema
Accesso online: Volltext (Resolving-System)
Volltext (doi)
Descrizione
Riepilogo:In this article we discuss the cycle of apocalypse films released in the aftermath of the attacks of 11 September 2001, examining the ways in which they conveyed a variety of post-9/11 fears and concerns around issues such as the War on Terror, American imperialism and the environment. In particular, we will trace the continuities and discontinuities with similar disaster/apocalyptic films released in the late 1990s, tracking the representations of four thematic elements that permeate through both pre-millennium and post-9/11 apocalyptic Hollywood cinema: the representation of the apocalypse; the role of human agency as saviour; the role of religion; and socio-political commentary made by the films. In doing so, we argue that cinematic representations of the apocalypse have been much more pessimistic post-9/11, thus demonstrating that Hollywood science fiction, or "sci-fi," can facilitate wider socio-political concerns while continuing to provide the expected spectacular, audio-visual displays.
ISSN:1703-289X
Comprende:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.23.1.53