Transcendence and Sensoriness: Perceptions, Revelation, and the Arts
In Transcendence and Sensoriness, scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts.
| 1. VerfasserIn: | |
|---|---|
| Beteiligte: | ; ; ; |
| Medienart: | Elektronisch Buch |
| Sprache: | Englisch |
| Subito Bestelldienst: | Jetzt bestellen. |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
[Erscheinungsort nicht ermittelbar]
BRILL
2015
|
| In: | Jahr: 2015 |
| Ausgabe: | 1st ed. |
| Schriftenreihe/Zeitschrift: | Studies in Religion and the Arts Ser.
|
| normierte Schlagwort(-folgen): | B
Kunst
/ Religion
/ Ästhetik
/ Transzendenz
/ Geschichte
|
| weitere Schlagwörter: | B
Aufsatzsammlung
B Aesthetics ; Religious aspects ; Protestant churches B Christianity and the arts ; Scandinavia B Electronic books B Protestant churches ; Doctrines |
| Online Zugang: |
Volltext (Aggregator) |
| Parallele Ausgabe: | Nicht-Elektronisch
Erscheint auch als: 9789004274525 |
| Zusammenfassung: | In Transcendence and Sensoriness, scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts. Intro -- Transcendence and Sensoriness: Perceptions, Revelation, and the Arts -- Copyright -- Contents -- Preface -- List of Figures -- List of Contributors -- Introduction: Art and Aesthetic Experience as Signals of Transcendence? -- PART 1: Approaching the Sphere of Sense Perception -- Introduction to Part 1 -- 1: Theology and Poetic Openness -- 2: The Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology -- 3: Sensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity -- 4: The Phenomenon of Revelation: Jean-Luc Marion's Outline for a Phenomenology of Religion -- PART 2: Visual Art and Its Basic Conditions -- Introduction to Part 2 -- 5: The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence -- 6: Ottoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century -- 7: "I Can See Byzantine Art and Understand It": The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby's Art -- 8: God among Thorns: On Anselm Kiefer's Pietà (2007) -- PART 3: Music and Transcendence -- Introduction to Part 3 -- 9: The Finished Fragment: On Arnold Schoenberg's Moses und Aron -- 10: Time and Space in W.A. Mozart's Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work -- 11: The Broken Hallelujah: The Super Hit as Sacred Space -- PART 4: Transcendence and Presence in Church Architecture -- Introduction to Part 4 -- 12: The Fullness of Space -- 13: Space, Wind and Light: On Transcendence and Early Church Architecture -- 14: On Earth as It is in Heaven: St. Hallvard's Church and Abbey -- PART 5: Theological Considerations: Imago Dei, Grace and Resurrection -- Introduction to Part 5 -- 15: Transcendence and the Use of Images. |
|---|---|
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| ISBN: | 9004291695 |