The Reproduction of Engi and Memorial Offerings: Multiple Generations of the Ashikaga Shoguns and the Yūzū nenbutsu engi emaki
The Yūzū nenbutsu engi emaki, a set of illustrated handscrolls reproduced on an ongoing basis from the 1300s into the 1500s, provides a striking example of the enduring ritual, social, and artistic relevance of an engi in the years after its creation. By examining the personnel and dating of multipl...
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Collaborateurs: | |
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Nanzan Institute
[2015]
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Dans: |
Japanese journal of religious studies
Année: 2015, Volume: 42, Numéro: 1, Pages: 157-182 |
Sujets / Chaînes de mots-clés standardisés: | B
Japan
/ Pratītyasamutpāda
/ Emaki
/ Ashikaga, Famille
/ Ahnenopfer
/ Histoire 1300-1600
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Classifications IxTheo: | AG Vie religieuse BL Bouddhisme KBM Asie TH Moyen Âge tardif TJ Époque moderne |
Sujets non-standardisés: | B
Anniversaries
B Aristocracy B Handwriting B Memorials B Calligraphy B Religious Studies B Religious rituals B Scrolls B Samouraï B Woodcuts |
Accès en ligne: |
Volltext (kostenfrei) |
Résumé: | The Yūzū nenbutsu engi emaki, a set of illustrated handscrolls reproduced on an ongoing basis from the 1300s into the 1500s, provides a striking example of the enduring ritual, social, and artistic relevance of an engi in the years after its creation. By examining the personnel and dating of multiple copies, this article demonstrates that the engi was used in memorial rites for successive generations of Ashikaga shōguns. In addition to supporting ritual practice, the project to continually reproduce the engi also drove cross-media adaptation and mobilized complex networks of patrons, calligraphers, painters, and monastic fundraisers. |
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Contient: | Enthalten in: Japanese journal of religious studies
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