Parabolic Transcendence in Time and Narrative: Shane Carruth’s Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables

Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and Upstre...

Full description

Saved in:  
Bibliographic Details
Main Author: Mayward, Joel ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Institut f. Fundamentaltheologie [2020]
In: Journal for religion, film and media
Year: 2020, Volume: 6, Issue: 1, Pages: 17-36
Standardized Subjects / Keyword chains:B Primer / Upstream Color / Ricœur, Paul 1913-2005 / Post-secularism / The Sacred / Transcendence
IxTheo Classification:AG Religious life; material religion
AZ New religious movements
Further subjects:B Paul Ricoeur
B Transcendence
B Film-Theology
B Parable
B Shane Carruth
B Time Travel
B Post-secular
Online Access: Volltext (doi)
Volltext (kostenfrei)

MARC

LEADER 00000caa a22000002 4500
001 169883392X
003 DE-627
005 20210224152336.0
007 cr uuu---uuuuu
008 200526s2020 xx |||||o 00| ||eng c
024 7 |a 10.25364/05.06:2020.1.2  |2 doi 
035 |a (DE-627)169883392X 
035 |a (DE-599)KXP169883392X 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
084 |a 0  |a 1  |2 ssgn 
100 1 |e VerfasserIn  |0 (DE-588)1228036381  |0 (DE-627)1749311232  |4 aut  |a Mayward, Joel  |d ca. 20./21. Jh. 
109 |a Mayward, Joel ca. 20./21. Jh. 
245 1 0 |a Parabolic Transcendence in Time and Narrative  |b Shane Carruth’s Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables 
264 1 |c [2020] 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and Upstream Color are post-secular cinematic parables per philosopher Paul Ricoeur’s description of parable: the conjunction of a narrative form and a metaphorical process, addressing the religious via non-religious discourse. Interpreting these two films through a Ricoeurian parabolic hermeneutic addresses their mutual transcendence in and through time and narrative via their striking visual and auditory aesthetics, the use of montage in their nonlinear narratives, and the depiction of invisible relational connections between the films’ protagonists. I conclude that Carruth’s post-secular cinema resides in an in-between space: between the secular and the religious, realism and expressionism, immanence and transcendence. 
650 4 |a Film-Theology 
650 4 |a Parable 
650 4 |a Paul Ricoeur 
650 4 |a Post-secular 
650 4 |a Shane Carruth 
650 4 |a Time Travel 
650 4 |a Transcendence 
652 |a AG:AZ 
689 0 0 |d u  |0 (DE-588)121976650X  |0 (DE-627)1735768677  |a Primer  |2 gnd 
689 0 1 |d u  |0 (DE-588)1219766534  |0 (DE-627)1735768707  |a Upstream Color  |2 gnd 
689 0 2 |d p  |0 (DE-588)118600613  |0 (DE-627)079392563  |0 (DE-576)162723253  |2 gnd  |a Ricœur, Paul  |d 1913-2005 
689 0 3 |d s  |0 (DE-588)1070113859  |0 (DE-627)823294757  |0 (DE-576)429774761  |2 gnd  |a Postsäkularismus 
689 0 4 |d s  |0 (DE-588)4205979-3  |0 (DE-627)105131466  |0 (DE-576)210172320  |2 gnd  |a Das Sakrale 
689 0 5 |d s  |0 (DE-588)4060724-0  |0 (DE-627)106138669  |0 (DE-576)209136316  |2 gnd  |a Transzendenz 
689 0 |5 (DE-627) 
773 0 8 |i Enthalten in  |t Journal for religion, film and media  |d Graz : Institut f. Fundamentaltheologie, 2015  |g 6(2020), 1, Seite 17-36  |h Online-Ressource  |w (DE-627)842242198  |w (DE-600)2841163-8  |w (DE-576)452474043  |x 2617-3697  |7 nnns 
773 1 8 |g volume:6  |g year:2020  |g number:1  |g pages:17-36 
856 4 0 |u https://jrfm.eu/index.php/ojs_jrfm/article/view/180  |x Verlag  |z kostenfrei 
856 |u https://doi.org/10.25364/05.06:2020.1.2  |x doi  |3 Volltext 
936 u w |d 6  |j 2020  |e 1  |h 17-36 
951 |a AR 
ELC |a 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 3671303328 
LOK |0 003 DE-627 
LOK |0 004 169883392X 
LOK |0 005 20200617140011 
LOK |0 008 200526||||||||||||||||ger||||||| 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixzs  |a ixzo 
LOK |0 936ln  |0 1442043229  |a AG 
LOK |0 936ln  |0 1442043326  |a AZ 
OAS |a 1 
ORI |a SA-MARC-ixtheoa001.raw 
REL |a 1 
STA 0 0 |a Post-secularism,The Sacred,Transcendence,Transcendence,Transcendence (Philosophy),Transcendence (Philosophy) in art 
STB 0 0 |a Le sacré,Postsécularisme,Transcendance,Transcendance,Transcendance (philosophie) 
STC 0 0 |a Lo sagrado,Postsecularismo,Transcendencia,Transcendencia,Trascendencia de Dios 
STD 0 0 |a Il sacrale,Post-secolarismo,Società post-secolare,Società post-secolare,Trascendenza,Trascendenza 
STE 0 0 |a 超越,超越,卓越,卓越,那 神圣的,那 神的 
STF 0 0 |a 超越,超越,卓越,卓越,那 神聖的,那 神的 
STG 0 0 |a O sagrado,Pós-secularismo,Transcendência,Transcendência 
STH 0 0 |a Постсекуляризм,Сакральное,Трансценденция (мотив),Трансценденция 
STI 0 0 |a Μετακοσμικότητα,Το Ιερό,Υπέρβαση (μοτίβο),Υπέρβαση 
SUB |a REL 
SYG 0 0 |a Ricoeur, Paul,1913-2005,Ricoeur, P.,1913-2005,Rikër, Pol',1913-2005,Lü-ko-erh,1913-2005,Li-k'o, Pao-lo,1913-2005,Ricoeurs, Paul,1913-2005,Ricœr, Paul,1913-2005,ريكور، بول,1913-2005 , Postsäkulare Gesellschaft , Sakral,Sakralität,Das Sakrale 

Similar Items

more