Parabolic Transcendence in Time and Narrative: Shane Carruth’s Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables
Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and Upstre...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institut f. Fundamentaltheologie
[2020]
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| In: |
Journal for religion, film and media
Year: 2020, Volume: 6, Issue: 1, Pages: 17-36 |
| Standardized Subjects / Keyword chains: | B
Primer
/ Upstream Color
/ Ricœur, Paul 1913-2005
/ Post-secularism
/ The Sacred
/ Transcendence
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| IxTheo Classification: | AG Religious life; material religion AZ New religious movements |
| Further subjects: | B
Paul Ricoeur
B Transcendence B Film-Theology B Parable B Shane Carruth B Time Travel B Post-secular |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |