Parabolic Transcendence in Time and Narrative: Shane Carruth’s Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables
Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and Upstre...
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| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Journals Online & Print: | Caricamento...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Pubblicazione: |
Institut f. Fundamentaltheologie
[2020]
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| In: |
Journal for religion, film and media
Anno: 2020, Volume: 6, Fascicolo: 1, Pagine: 17-36 |
| (sequenze di) soggetti normati: | B
Primer
/ Upstream Color
/ Ricœur, Paul 1913-2005
/ Post-secolarismo
/ Il sacrale
/ Trascendenza
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| Notazioni IxTheo: | AG Vita religiosa AZ Nuove religioni |
| Altre parole chiave: | B
Paul Ricoeur
B Transcendence B Film-Theology B Parable B Shane Carruth B Time Travel B Post-secular |
| Accesso online: |
Volltext (doi) Volltext (kostenfrei) |