Parabolic Transcendence in Time and Narrative: Shane Carruth’s Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables
Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth’s two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and Upstre...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Institut f. Fundamentaltheologie
[2020]
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| Em: |
Journal for religion, film and media
Ano: 2020, Volume: 6, Número: 1, Páginas: 17-36 |
| (Cadeias de) Palavra- chave padrão: | B
Primer
/ Upstream Color
/ Ricœur, Paul 1913-2005
/ Pós-secularismo
/ O sagrado
/ Transcendência
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| Classificações IxTheo: | AG Vida religiosa AZ Nova religião |
| Outras palavras-chave: | B
Paul Ricoeur
B Transcendence B Film-Theology B Parable B Shane Carruth B Time Travel B Post-secular |
| Acesso em linha: |
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