Who is Like God?: The Deer Hunter as Angelic Allegory
Michael Cimino’sThe Deer Hunter utilizes Christian contexts and biblical motifs in order to present an allegory in which Michael (Robert De Niro) represents an angelic being. While Michael displays powers that parallel those of biblical angels, his lack of religious reverence and divine self-percept...
| Pubblicato in: | The journal of religion and film |
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| Autore principale: | |
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Journals Online & Print: | Caricamento...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Pubblicazione: |
2019
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| In: |
The journal of religion and film
Anno: 2019, Volume: 23, Fascicolo: 1, Pagine: 1-24 |
| (sequenze di) soggetti normati: | B
The deer hunter (Film <motivo>) (1978)
/ Essere sovrannaturale
/ Violenza
/ Speranza
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| Notazioni IxTheo: | AA Scienze religiose AB Filosofia delle religioni CE Arte cristiana NBH Angelologia |
| Altre parole chiave: | B
Adam
B Symbolism B The Deer Hunter B Bible B Eden B Allegory B Angels |
| Accesso online: |
Volltext (kostenfrei) |
| Riepilogo: | Michael Cimino’sThe Deer Hunter utilizes Christian contexts and biblical motifs in order to present an allegory in which Michael (Robert De Niro) represents an angelic being. While Michael displays powers that parallel those of biblical angels, his lack of religious reverence and divine self-perception lead to a metaphorical fall in Vietnam. Michael’s friend Nick (Christopher Walken) is also an allegorical symbol for imperiled humanity in need of salvation. When Michael is unable to rescue Nick from a Russian roulette table in Saigon, Cimino’s film emerges as a theological statement about the problem of human violence and the necessity for hope in God. |
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| ISSN: | 1092-1311 |
| Comprende: | Enthalten in: The journal of religion and film
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