Drawing in-church and drawing-in to joy

This paper explores what can be learned about the possibilities for joy when the private practice of drawing is located in public experience of Sunday worship. A case study identifies distinct phases of making, being with and seeing art, all integral to the process of aesthetic theological inquiry,...

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Bibliographische Detailangaben
1. VerfasserIn: Byrne, Libby (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Veröffentlicht: Routledge, Taylor and Francis Group [2020]
In: Practical theology
Jahr: 2020, Band: 13, Heft: 3, Seiten: 290-305
IxTheo Notationen:CB Christliche Existenz; Spiritualität
CD Christentum und Kultur
CE Christliche Kunst
KBS Australien; Ozeanien
weitere Schlagwörter:B art making in worship
B Art and theology
B joy in public worship
B drawing in church
B embodied liturgical practice
B practice-led
Online Zugang: Volltext (Resolving-System)
Beschreibung
Zusammenfassung:This paper explores what can be learned about the possibilities for joy when the private practice of drawing is located in public experience of Sunday worship. A case study identifies distinct phases of making, being with and seeing art, all integral to the process of aesthetic theological inquiry, as mechanisms for drawing in both artist and viewer to participate in creative conversation. In the immanence of honesty, the experience of making and seeing art in church offers an experience of joy characterised by an embodied experience of ‘emotional attunement between the self and the world’ (Volf 2015). Whilst the experience of drawing in-church extends our capacity to see God at work when it happens, the emerging work of art is drawing-in (the) church, inviting us to participate in a process of honest reflection that transforms the way we understand what it means to belong in a life of faith.
ISSN:1756-0748
Enthält:Enthalten in: Practical theology
Persistent identifiers:DOI: 10.1080/1756073X.2019.1678861