„A little Drama“ (G. M. Tucker): Zur literarischen Form von Am 7,10–17
The use of a narrative imperfect in Am 7:10-17 after 7:1-9 and the abrupt shift to 8:1-3 frequently compelled critics to determine its literary form. For diachronic studies defining classifications include ‘third-party report’ and ‘apophthegma’. By contrast, synchronic studies emphasize the contextu...
Published in: | Biblische Zeitschrift |
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Main Author: | |
Format: | Electronic Article |
Language: | German |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill, Ferdinand Schöningh
[2019]
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In: |
Biblische Zeitschrift
|
Standardized Subjects / Keyword chains: | B
Narrative theory
/ Narrativity
/ Drama
/ Epic
|
IxTheo Classification: | HB Old Testament |
Further subjects: | B
Visions
B Drama B Narrative analysis B Bible. Amos 7,10-17 B Amaziah B Amos B prophetic books |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a The use of a narrative imperfect in Am 7:10-17 after 7:1-9 and the abrupt shift to 8:1-3 frequently compelled critics to determine its literary form. For diachronic studies defining classifications include ‘third-party report’ and ‘apophthegma’. By contrast, synchronic studies emphasize the contextual integration of Am 7:10-17 and concentrate on a narrative analysis. Within this focus it is striking, that the passage is often associated with a ‘drama’ but without assessing the methodological ramifications of such a claim. The present article takes this ‘synchronic gap’ up and relates it to approaches to view drama as a possible genre for prophetic books. In doing so, a reading of Am 7:10-17 as part of a narrator-mediated discourse using a dramatic mode shows that the passage can be deemed an entrance with three speeches integrated into the wider context of 7:1-8:3. Particularly the classification of 7:10a, 12aα, 14aα as narrator’s discourse using a dramatic mode makes this claim plausible. | ||
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STA | 0 | 0 | |a Drama,Play,Theater piece,Dramatic art,Drama,Epic,Epic poetry,Narrative poetry,Epic literature,Narrative theory,Narratology,Narration (Rhetoric),Narrativity |
STB | 0 | 0 | |a Genre épique,Narrativité,Narratologie,Narration,Théâtre,Drame,Drame |
STC | 0 | 0 | |a Drama,Narratividad,Narratología,Épica |
STD | 0 | 0 | |a Dramma,Epica,Narratività,Narratologia |
STE | 0 | 0 | |a 叙事性,叙事理论,叙事学,叙事诗,史诗,戏剧 |
STF | 0 | 0 | |a 戲劇,敍事性,敍事理論,敍事學,敍事詩,史詩 |
STG | 0 | 0 | |a Drama,Narratividade,Narratologia,Épica |
STH | 0 | 0 | |a Драма,Нарративность,Теория рассказа,Эпика |
STI | 0 | 0 | |a Αφηγηματικότητα,Αφηγηματολογία,Δράμα,Εποποιία,Επική ποίηση |
SUB | |a BIB | ||
SYE | 0 | 0 | |a Amos , Theaterstück,Dramatik,Schauspiel,Theaterstück,Dramen,Dramatisches Werk |
SYG | 0 | 0 | |a Narratologie , Theaterstück,Dramatik,Schauspiel,Theaterstück,Dramen,Dramatisches Werk , Epische Dichtung,Erzählende Dichtung,Erzählkunst,Erzählliteratur,Erzählendes Werk,Erzählwerk,Erzähldichtung |