A Parasociology: Jean Genet in the Age of Celebrity Worship

In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to t...

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Detalhes bibliográficos
Autor principal: Lucas, Kevin (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Brill [2020]
Em: Religion and the arts
Ano: 2020, Volume: 24, Número: 3, Páginas: 290-317
(Cadeias de) Palavra- chave padrão:B Genet, Jean-Pierre 1928- / Parasoziale Interaktion / Durkheim, Émile 1858-1917 / Sociologia da religião
Classificações IxTheo:AD Sociologia da religião
ZB Sociologia
Outras palavras-chave:B para-social interaction
B Jean Genet
B sociology of religion
B celebrity culture
B the sacred
Acesso em linha: Volltext (Verlag)
Volltext (doi)
Descrição
Resumo:In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to the worshipful dynamics of totemism—in which the image of the animal exceeds the actual being in sacredness—as described by French sociologist Émile Durkheim. Discussing French author Jean Genet’s exploration of the unlikely forms of totemic worship common in the age of mass media, this article posits that Genet’s “parasociology of religion” demonstrates the way in which Durkheimian sociology of religion can offer insight into ostensibly secular contemporary practices, including those of fan communities.
ISSN:1568-5292
Obras secundárias:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02403003