Narratives of disenchantment and secularization: critiquing Max Webers idea
"What does it really mean to be modern? The contributors to this collection offer critical attempts both to re-read Max Weber's historical idea of disenchantment and to develop further his understanding of what the contested relationship between modernity and religion represents. The appro...
| Collaborateurs: | ; |
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| Type de support: | Électronique Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
London [England]
Bloomsbury Academic
2020
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| Dans: | Année: 2020 |
| Édition: | First edition |
| Sujets / Chaînes de mots-clés standardisés: | B
Weber, Max 1864-1920
/ Modernité
/ Changement socioculturel
/ Sécularisation
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| Sujets non-standardisés: | B
Contribution <colloque> 2017 (München)
B Weber, Max (1864-1920) Criticism and interpretation B History of religion B Electronic books B Modernism (Christian theology) |
| Accès en ligne: |
Volltext (doi) Volltext (lizenzpflichtig) |
| Édition parallèle: | Non-électronique
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| Résumé: | "What does it really mean to be modern? The contributors to this collection offer critical attempts both to re-read Max Weber's historical idea of disenchantment and to develop further his understanding of what the contested relationship between modernity and religion represents. The approach is distinctive because it focuses on disenchantment as key to understanding those aspects of modern society and culture that Weber diagnosed. This is in opposition to approaches that focus on secularization , narrowly construed as the rise of secularism or the divide between religion and politics, and that then conflate this with modernization as a whole. Other novel contributions are discussions of temporality - meaning the sense of time or of historical change that posits a separation between an ostensibly secular modernity and its religious past - and of the manner in which such a sense of time is constructed and disseminated through narratives that themselves may resemble religious myths. It reflects the idea that disenchantment is a narrative with either Enlightenment, Romantic, or Christian roots, thereby developing a conversation between critical studies in the field of secularism (such as those of Talal Asad and Gil Anidjar) and conceptual history approaches to secularization and modernity (such as those of Karl Løwith and Reinhart Koselleck), and in the process creates something that is more than merely the sum of its parts."-- Table of Contents -- Acknowledgments -- Introduction -- Dialectics of Disenchantment: The Devaluation of the Objective World and the Revaluation of Subjective Religiosity -- Hans Kippenberg -- Max Weber and the Rationalization of Magic -- Jason A. Josephson-Storm -- Science as a Commodity: Disenchantment and Conspicuous Consumption -- Egil Asprem -- Multiple Times of Disenchantment and Secularization -- Lorenz Trein -- The Disenchanted Enchantments of the Modern Imagination and "Fictionalism" -- Michael Saler -- Narratives of Disenchantment, Narratives of Secularization: Radical Enlightenment and the Rise of the Illiberal Secular -- Jonathan Israel -- "An Age of Miracles": Disenchantment as a Secularized Theological Narrative -- Robert A. Yelle -- Counter-Narratives to Secularization: Merits and Limits of Genealogy Critique -- Monika Wohlrab-Sahr -- List of Contributors -- Index |
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| Description: | Includes index |
| Type de support: | Mode of access: World Wide Web. |
| ISBN: | 1350145645 |
| Accès: | Abstract freely available; full-text restricted to individual document purchasers |
| Persistent identifiers: | DOI: 10.5040/9781350145672 |