The God Aion in a Mosaic from Nea Paphos (Cyprus) and Graeco-Phoenician Cosmogonies in the Roman East

This essay offers a new interpretive angle on a fourth-century CE mosaic from Nea Paphos in Cyprus, in which the central panel depicts the god Aion presiding over the contest between Kassiopeia and the Nereids. The mosaic, which has other mythological scenes, two of them focused on Dionysos, has bee...

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Detalhes bibliográficos
Autor principal: López-Ruiz, Carolina (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: De Gruyter [2020]
Em: Archiv für Religionsgeschichte
Ano: 2020, Volume: 21/22, Número: 1, Páginas: 423-447
(Cadeias de) Palavra- chave padrão:B Römisches Reich / Religião / Paphos / Éon, Deus / Grécia (Antiguidade) / Phönikien / Cosmogonia
Classificações IxTheo:AG Vida religiosa
BE Religiões greco-romanas 
Outras palavras-chave:B Religionswissenschaften
B Theologie und Religion
B Altertumswissenschaften
B Antike Religionsgeschichte
B Klassische Altertumswissenschaften
Acesso em linha: Volltext (Verlag)
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Descrição
Resumo:This essay offers a new interpretive angle on a fourth-century CE mosaic from Nea Paphos in Cyprus, in which the central panel depicts the god Aion presiding over the contest between Kassiopeia and the Nereids. The mosaic, which has other mythological scenes, two of them focused on Dionysos, has been interpreted in an allegorical Neoplatonic key or else as encrypting an anti-Christian polemic narrative. Here I propose that Aion and the other cosmogonic motifs in the panels, including the birth and triumph of Dionysos, point rather to Orphic and Phoenician cosmogonies, which in turn had a strong impact and reception among Neoplatonists and intellectuals of the Roman and late Roman Levant.
ISSN:1868-8888
Obras secundárias:Enthalten in: Archiv für Religionsgeschichte
Persistent identifiers:DOI: 10.1515/arege-2020-0022