Zen og kunsten at spejlvende orientalisme
This article intends to put into perspective the critique on Orientalism raised by Edward Said with a case story (beyond Said's Orient) exemplifying how the Orientalist discourse has been inverted, serving as a means of religious and cultural identification. Focusing on the religious environmen...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Danish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Univ.
[1998]
|
| In: |
Religionsvidenskabeligt tidsskrift
Year: 1998, Volume: 32, Pages: 3-20 |
| Further subjects: | B
Zen-buddhisme
B Orientalisme B Suzuki B D.T |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a This article intends to put into perspective the critique on Orientalism raised by Edward Said with a case story (beyond Said's Orient) exemplifying how the Orientalist discourse has been inverted, serving as a means of religious and cultural identification. Focusing on the religious environment around the Japanese interpreter and poluparizer of Zen Buddhism., D. T. Suzuki, it is argued that a genealogical network of interrelated persons and a reciprocal exchange of ideas and representations, placed within certain historical contexts, made it possible for him to systematically invert those Orientalist ideas, turning them into new East-West dichotomies. It is argued that neither Suzuki-zen nor Orientalism nor inverted Orientalism must be ignored but recognized and contextualized in order to reconstruct Buddhist studies as a natural and important field within the comparative study of religion. | ||
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