“Like a doll …”: The Miraculous Nossa Senhora da Lapa from Quintela, Portugal

In the 1990s there was a growing and renewed interest on the practice of clothing images of saints after, as Richard Trexler put it, the negligence demonstrated towards it by art historians until then. In 2018, following the publication of new and unprejudiced studies about it, the presence of two d...

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Detalhes bibliográficos
Autor principal: Pereira, Diana (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Brill 2020
Em: Religion and the arts
Ano: 2020, Volume: 24, Número: 5, Páginas: 517-552
(Cadeias de) Palavra- chave padrão:B Portugal / Estátua mariana / Veste / Joias / Estética da recepção / Devoção a Maria
Classificações IxTheo:CB Existência cristã
CE Arte cristã
KDB Igreja católica
NBJ Mariologia
Outras palavras-chave:B clothed sculptures
B Jewelry
B Ex-votos
B Marian devotion
B Textiles
B miraculous images
Acesso em linha: Volltext (Resolving-System)
Volltext (Verlag)
Descrição
Resumo:In the 1990s there was a growing and renewed interest on the practice of clothing images of saints after, as Richard Trexler put it, the negligence demonstrated towards it by art historians until then. In 2018, following the publication of new and unprejudiced studies about it, the presence of two dresses belonging to statues of the Virgin Mary in the Metropolitan Museum of Art’s exhibition “Heavenly Bodies: Fashion and the Catholic Imagination” testified to the impact clothed images had on fashion creators and, according to David Morgan, the Church’s ritual and performative life. While focusing on the miraculous image of Nossa Senhora da Lapa from Quintela, Portugal, this article aims to acknowledge the many roles played by its clothes and jewels, assessing the complexity of this phenomenon and aiming for a wider understanding of how the faithful engaged with devotional sculpture.
ISSN:1568-5292
Obras secundárias:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02405003