For One and or for Many: Affluent and Common Patronage of Narrative Art in Tibet
Visual narratives occupy a prominent position in Tibetan art, and like performing arts and public religious rituals, directly engage their viewers, participants, and creators in the production and use of a specific art form. However, the role of pictorial narrative traditions remains largely overloo...
| 主要作者: | |
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| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
Taylor & Francis
2021
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| In: |
Material religion
Year: 2021, 卷: 17, 發布: 1, Pages: 29-55 |
| Standardized Subjects / Keyword chains: | B
Tibet
/ 資助
/ Lukhang Lhasa
/ 壁畫
/ Padmasaṃbhava 717-762
/ 生命
/ 鈙事
/ 繪畫
/ 唐卡
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| IxTheo Classification: | AD Sociology of religion; religious policy AG Religious life; material religion BL Buddhism KBM Asia |
| Further subjects: | B
恩庇
B murals B Lukhang temple B Tibetan Buddhist art and culture B thangka painting B visual narratives |
| 在線閱讀: |
Volltext (lizenzpflichtig) |