Thomas Cranmer’s Recantations and the Marian Press
This article offers an analysis of the printing of Thomas Cranmer’s recantations of Protestantism and, more broadly, of the Marian regime’s use of the printing press. In 1556 a translated version of Cranmer’s fifth recantation was quickly suppressed by the Marian Privy Council and was followed, shor...
Autor principal: | |
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Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado em: |
Routledge, Taylor and Francis Group
2021
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Em: |
Reformation
Ano: 2021, Volume: 26, Número: 1, Páginas: 42-61 |
Classificações IxTheo: | KAG Reforma KBF Ilhas Britânicas KDB Igreja católica SA Direito eclesiástico ZG Media studies; Digital media; Communication studies |
Outras palavras-chave: | B
Printing
B Marian book trade B Thomas Cranmer B Mary I B Propaganda B Martyrdom |
Acesso em linha: |
Volltext (lizenzpflichtig) |
Resumo: | This article offers an analysis of the printing of Thomas Cranmer’s recantations of Protestantism and, more broadly, of the Marian regime’s use of the printing press. In 1556 a translated version of Cranmer’s fifth recantation was quickly suppressed by the Marian Privy Council and was followed, shortly after, by a more comprehensive edition of Cranmer’s recantations produced by the Queen’s Printer, John Cawood. This article argues for a hitherto unrecognized interrelationship between these editions. In viewing these texts together, the article shows that not only was the Marian regime willing to both promote and censor the printed word, but that it did so in order to control its narrative of Cranmer’s final days and to discredit his reputation. |
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ISSN: | 1752-0738 |
Obras secundárias: | Enthalten in: Reformation
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Persistent identifiers: | DOI: 10.1080/13574175.2021.1898235 |