Thomas Cranmer’s Recantations and the Marian Press

This article offers an analysis of the printing of Thomas Cranmer’s recantations of Protestantism and, more broadly, of the Marian regime’s use of the printing press. In 1556 a translated version of Cranmer’s fifth recantation was quickly suppressed by the Marian Privy Council and was followed, shor...

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Detalhes bibliográficos
Autor principal: Forsyth, Katherine (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: Routledge, Taylor and Francis Group 2021
Em: Reformation
Ano: 2021, Volume: 26, Número: 1, Páginas: 42-61
Classificações IxTheo:KAG Reforma
KBF Ilhas Britânicas
KDB Igreja católica
SA Direito eclesiástico
ZG Media studies; Digital media; Communication studies
Outras palavras-chave:B Printing
B Marian book trade
B Thomas Cranmer
B Mary I
B Propaganda
B Martyrdom
Acesso em linha: Volltext (lizenzpflichtig)
Descrição
Resumo:This article offers an analysis of the printing of Thomas Cranmer’s recantations of Protestantism and, more broadly, of the Marian regime’s use of the printing press. In 1556 a translated version of Cranmer’s fifth recantation was quickly suppressed by the Marian Privy Council and was followed, shortly after, by a more comprehensive edition of Cranmer’s recantations produced by the Queen’s Printer, John Cawood. This article argues for a hitherto unrecognized interrelationship between these editions. In viewing these texts together, the article shows that not only was the Marian regime willing to both promote and censor the printed word, but that it did so in order to control its narrative of Cranmer’s final days and to discredit his reputation.
ISSN:1752-0738
Obras secundárias:Enthalten in: Reformation
Persistent identifiers:DOI: 10.1080/13574175.2021.1898235