The Masonic Career of a Kabbalistic Lithograph: Max Wolff, »Origin of the Rites and Worship of the Hebrews« (New York, 1859)
This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Sol...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Mohr Siebeck
2021
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| In: |
Jewish studies quarterly
Year: 2021, Volume: 28, Issue: 2, Pages: 191-218 |
| Further subjects: | B
American Freemasonry
B 19th Century B Kabbalah B Species B Jewish-Christian relations |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Solomonic heritage of Masonic mythology and advocated a Jewish origin for the fraternity, in which Kabbalah assumed a role of providing esoteric underpinnings for this narrative. The article shows that within the wider historical framework of Jewish-Christian relations, the kabbalistic lithograph became a tool in the hands of Jewish Freemasons in a Masonic sectarian debate. | ||
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