The Masonic Career of a Kabbalistic Lithograph: Max Wolff, »Origin of the Rites and Worship of the Hebrews« (New York, 1859)

This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Sol...

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主要作者: Lanchidi, Peter (Author)
格式: 電子 Article
語言:English
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出版: Mohr Siebeck 2021
In: Jewish studies quarterly
Year: 2021, 卷: 28, 發布: 2, Pages: 191-218
Further subjects:B American Freemasonry
B 19th Century
B Kabbalah
B
B Jewish-Christian relations
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實物特徵
總結:This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Solomonic heritage of Masonic mythology and advocated a Jewish origin for the fraternity, in which Kabbalah assumed a role of providing esoteric underpinnings for this narrative. The article shows that within the wider historical framework of Jewish-Christian relations, the kabbalistic lithograph became a tool in the hands of Jewish Freemasons in a Masonic sectarian debate.
ISSN:1868-6788
Contains:Enthalten in: Jewish studies quarterly
Persistent identifiers:DOI: 10.1628/jsq-2021-0010