The Bible and Its Cinematic Adaptations: A Consideration of Filmic Exegesis

This article discusses key theoretical issues pertaining to the Bible’s cinematic reception history. It proposes the term “filmic exegesis” to describe a twofold process of interpretation, which involves both situated filmmakers (at the moment of production) and situated film-viewers (at moments of...

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Библиографические подробности
Главный автор: Burnette-Bletsch, Rhonda 1970- (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
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Опубликовано: De Gruyter 2014
В: Journal of the bible and its reception
Год: 2014, Том: 1, Выпуск: 1, Страницы: 129-160
Нормированные ключевые слова (последовательности):B Библеистика / Экзегетика / Методология / Фильм (мотив)
Индексация IxTheo:CD Христианство и культура
HA Библия
Другие ключевые слова:B Фильм (мотив)
B Methodology
B Biblical Studies
B Exegesis
B Modern
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Итог:This article discusses key theoretical issues pertaining to the Bible’s cinematic reception history. It proposes the term “filmic exegesis” to describe a twofold process of interpretation, which involves both situated filmmakers (at the moment of production) and situated film-viewers (at moments of reception) as active readers of biblical texts. After tracing what has become the dominant scholarly narrative of the Bible’s history in cinema, three methodological points are considered: (1) the need for scholarship to reach beyond the hegemony of Hollywood, (2) the difficulty of establishing clear criteria to define what “counts” as biblical reception in film, and (3) the necessity of moving beyond descriptive cataloguing to critical analysis of the Bible’s filmic afterlives. Finally, this article confronts lingering academic skepticism toward the value of studying the Bible’s popular reception and explains why biblical scholars should bother with filmic exegesis.
ISSN:2329-4434
Второстепенные работы:Enthalten in: Journal of the bible and its reception
Persistent identifiers:DOI: 10.1515/jbr-2014-0001