GOD, FAITH AND FILM: BREAKING THE WAVES
Awarded the Grand Prix du Jury at the 1996 Cannes Film Festival, Breaking the Waves, by the Danish director Lars von Trier, is proposed by him as ‘a simple love story’, ‘a film about goodness’ and ‘a film about miracles’: ‘a strong mixture of religion, eroticism and possession’. This essay examines...
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| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
Oxford University Press
1998
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| In: |
Literature and theology
Year: 1998, 卷: 12, 發布: 1, Pages: 93-107 |
| 在線閱讀: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| 總結: | Awarded the Grand Prix du Jury at the 1996 Cannes Film Festival, Breaking the Waves, by the Danish director Lars von Trier, is proposed by him as ‘a simple love story’, ‘a film about goodness’ and ‘a film about miracles’: ‘a strong mixture of religion, eroticism and possession’. This essay examines how, in the film, the question of the relation between film and religion is raised and handled. |
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| ISSN: | 1477-4623 |
| Contains: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/12.1.93 |