The flesh of all that is: Merleau-Ponty, Irigaray, and Julian’s ‘showings’
Julian of Norwich (b. 1342) anticipated the ontological and epistemological work on sexed embodiment pioneered in the work of Merleau-Ponty and Irigaray in the 20th century. Her epistemology of sensual ‘showings’ helped reconfigure women’s embodiment and speech acts (‘bodytalk’): by recognizing cogn...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Springer Netherlands
2001
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| Em: |
Sophia
Ano: 2001, Volume: 40, Número: 2, Páginas: 47-65 |
| Outras palavras-chave: | B
Projective Intentionality
B Christian Philosophy B Body Subject B Working Note B Human Flesh |
| Acesso em linha: |
Volltext (lizenzpflichtig) |
| Resumo: | Julian of Norwich (b. 1342) anticipated the ontological and epistemological work on sexed embodiment pioneered in the work of Merleau-Ponty and Irigaray in the 20th century. Her epistemology of sensual ‘showings’ helped reconfigure women’s embodiment and speech acts (‘bodytalk’): by recognizing cognitive emotions and the knowledge-producing body; and by envisioning the intertwining of human flesh with All That Is. The paper next examines Merleau-Ponty’s somatic discourse on the chiasmic flesh, which leads to a discussion of Irigaray’s work on poetic mimesis. |
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| ISSN: | 1873-930X |
| Obras secundárias: | Enthalten in: Sophia
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| Persistent identifiers: | DOI: 10.1007/BF02782386 |