Syncretistic and Mnemonic Dimensions of Chalcolithic Art: A New Human Figurine from Shiqmim

The large Chalcolithic (ca. 4500-3500 BCE) village and mortuary complex of Shiqmim in Israel's Negev has produced a unique diminutive human figurine. Its anthropomorphic features are captivating, but it also shares in the abstract artistic style of "violin-shape" figurines. Uniquely b...

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Detalles Bibliográficos
Autores principales: Levy, Thomas E. (Autor) ; Golden, Jonathan (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
Verificar disponibilidad: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado: Scholars Press 1996
En: The Biblical archaeologist
Año: 1996, Volumen: 59, Número: 3, Páginas: 150-159
Acceso en línea: Volltext (JSTOR)
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Parallel Edition:No electrónico
Descripción
Sumario:The large Chalcolithic (ca. 4500-3500 BCE) village and mortuary complex of Shiqmim in Israel's Negev has produced a unique diminutive human figurine. Its anthropomorphic features are captivating, but it also shares in the abstract artistic style of "violin-shape" figurines. Uniquely bringing together these two distinct southern Levantine artistic traditions, the Shiqmim figurine permits us to see overlapping cultural, stylistic, spatial, and chronological dimensions of the Chalcolithic culture of Palestine. The intrinsically beautiful bone carving may also have had a more concrete social function: the authors suggest it may have served as a mnemonic device.
Obras secundarias:Enthalten in: The Biblical archaeologist
Persistent identifiers:DOI: 10.2307/3210546