Belonging to (Not “in”) Land as Performed at Indigenous Cultural Events
Drawing on research at two Indigenous festivals – Riddu Riđđu and the ORIGINS Festival of First Nations – this article considers ways in which Indigenous performers present their belonging to (not in) places. They are globally mobile but affirm reciprocal responsibilities with homelands. These two f...
| Autor principal: | |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Taylor & Francis
2022
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| En: |
Material religion
Año: 2022, Volumen: 18, Número: 1, Páginas: 16-31 |
| (Cadenas de) Palabra clave estándar: | B
Riddu Riđđu
/ Origins Festival of First Nations
/ Festival
/ Pueblo indígena
/ Pertenencia
/ Performance (Artes)
/ Translokalität
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| Clasificaciones IxTheo: | AD Sociología de la religión AF Geografía de la religión AG Vida religiosa BB Religiones indígenas (de grupos étnicos) BD Religión europeo-antigua BR Religión amerindio-antigua BT Religiones de la Oceanía |
| Otras palabras clave: | B
Customs
B Festivals B Belonging B Trans-Indigenous B Indigenizing B Innovación |
| Acceso en línea: |
Volltext (kostenfrei) |
| Sumario: | Drawing on research at two Indigenous festivals – Riddu Riđđu and the ORIGINS Festival of First Nations – this article considers ways in which Indigenous performers present their belonging to (not in) places. They are globally mobile but affirm reciprocal responsibilities with homelands. These two festivals bring together participants from across the world and provide an opportunity to consider further the dynamics of trans-Indigenous creativity. Enthused by performers at these festivals, and inspired by the critical reflections of Chadwick Allen (2012) and Robert Jahnke (2006), I reflect on some of the ways in which Indigenous performers – musicians, artists, artisans, authors, film-producers, poets and others – entertain, educate, and inspire their audiences. The following sections introduce the two festivals and they expand on Allen and Jahnke’s key terms. A selected performance at each of the festivals will then be used to exemplify and highlight the mobility of Indigenous people, traditions, and activities. |
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| ISSN: | 1751-8342 |
| Obras secundarias: | Enthalten in: Material religion
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| Persistent identifiers: | DOI: 10.1080/17432200.2021.2018849 |