The Liturgical Usage of Translated Gregorian Chant in the Korean Catholic Church

For centuries, Gregorian chant has served as a monophonic song written for the religious services of the Roman Catholic Church, but Korean Catholics first encountered this chant in the early nineteenth century. Korean Catholics ultimately became more attracted to the Korean translations of these cha...

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Bibliographische Detailangaben
VerfasserInnen: Cho, Eun Young (VerfasserIn) ; Wong, Hayoung (VerfasserIn) ; Geem, Zong Woo (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Veröffentlicht: MDPI 2021
In: Religions
Jahr: 2021, Band: 12, Heft: 12
weitere Schlagwörter:B Catholic Church
B Liturgy
B Korean translation
B sacred music
B Gregorian chant
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Beschreibung
Zusammenfassung:For centuries, Gregorian chant has served as a monophonic song written for the religious services of the Roman Catholic Church, but Korean Catholics first encountered this chant in the early nineteenth century. Korean Catholics ultimately became more attracted to the Korean translations of these chants, as opposed to the original Latin versions. This article introduces some issues related to the language translation of Gregorian chant, especially for chants performed in Holy Week. The issues include discrepancies in the number of syllables, shifts in melismatic emphasis, difficult diction in vocalization, briefer singing parts because of space limitations, challenging melodic lines, and translation losses from neumes to modern notes.
ISSN:2077-1444
Enthält:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel12121033