Ad astra: Graphic Signalling in the Acrostic Hymn of Nebuchadnezzar II (BM 55469)
This article examines two orthographic features in the Acrostic Hymn of Nebuchadnezzar II. It aims to show that the text makes use of the possibilities of the cuneiform writing system to create various levels of meaning. The first example clarifies structure and content with regard to a difficult pa...
| 主要作者: | |
|---|---|
| 格式: | 電子 Article |
| 語言: | English |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
De Gruyter
2021
|
| In: |
Altorientalische Forschungen
Year: 2021, 卷: 48, 發布: 2, Pages: 318-326 |
| Further subjects: | B
Nabû
B construction of meaning B Orthography B Marduk B Acrostic Hymn of Nebuchadnezzar II B acrostic |
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Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article examines two orthographic features in the Acrostic Hymn of Nebuchadnezzar II. It aims to show that the text makes use of the possibilities of the cuneiform writing system to create various levels of meaning. The first example clarifies structure and content with regard to a difficult passage in the fourth and last stanza of the text, in which a possible change of actors is indicated by an orthographic feature. The second example shows how orthography is used in the first stanza of the text to augment its message. These examples demonstrate how structural elements and micro-features such as orthography were used creatively to enhance the message of the hymn. | ||
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