“Going through the Seven Circles of Hell–Joyfully, à la Motl”: Sholem Aleichem’s Missing Film Script about Motl the Cantor’s Son

From the summer of 1913 to the spring of 1914 Sholem Aleichem wrote several film scripts, basically in Russian, that were never published and some of them were lost. The article deals with a short, English-language cinema synopsis discovered among the writer’s papers in the archives of the Tel Aviv...

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Bibliographische Detailangaben
1. VerfasserIn: Ḳoṭlerman, Ber Boris 1971- (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Penn Press 2015
In: The Jewish quarterly review
Jahr: 2015, Band: 105, Heft: 2, Seiten: 155-173
weitere Schlagwörter:B Early Jewish Cinema
B Modern Yiddish Literature
B Early French Cinema
B Sholem Aleichem
B Early American Cinema
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Zusammenfassung:From the summer of 1913 to the spring of 1914 Sholem Aleichem wrote several film scripts, basically in Russian, that were never published and some of them were lost. The article deals with a short, English-language cinema synopsis discovered among the writer’s papers in the archives of the Tel Aviv Sholem Aleichem House, Little Motl Goes to America, which Sholem Aleichem prepared based on one of the missing screenplays, The Adventures of Lucky Motl. The synopsis was translated into English in 1915 by Ben-Zion Goldberg (who was to become a prominent American Jewish journalist and Sholem Aleichem’s son-in-law) at the request of a certain motion picture studio. This contact with the American movie-making industry was broken off and developed no further, but the writer was very active in promoting Motl in the American cinema until the last days of his life. The synopsis provides scholars with a missing link in the genesis of Sholem Aleichem’s well-known work, The Adventures of Motl, the Cantor’s Son.
ISSN:1553-0604
Enthält:Enthalten in: The Jewish quarterly review
Persistent identifiers:DOI: 10.1353/jqr.2015.0011