Emblematic Representations of Heat and Cold in La Ceppede's Theoremes
Like the visual design of an emblem, images of heat and cold in the Theoremes form unusual compositions of objects and/or persons interrelated allegorically, situated in "mysterious" abstract space and then accompanied by their interpretation and/or moral application. The central figure of...
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Sixteenth Century Journal Publishers, Inc.
1987
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| En: |
The sixteenth century journal
Año: 1987, Volumen: 18, Número: 1, Páginas: 53-62 |
| Acceso en línea: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Sumario: | Like the visual design of an emblem, images of heat and cold in the Theoremes form unusual compositions of objects and/or persons interrelated allegorically, situated in "mysterious" abstract space and then accompanied by their interpretation and/or moral application. The central figure of the Theoremes is seen as Jesus as a force exerted by heat. When His physical presence is felt or sought, spiritual strength and fidelity are present as emblems of heat. When His presence is ignored or shunned, carnal weakness, fear, and infidelity are present as the message of emblems of cold. |
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| ISSN: | 2326-0726 |
| Obras secundarias: | Enthalten in: The sixteenth century journal
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| Persistent identifiers: | DOI: 10.2307/2540629 |