Louise Labe's Conditional Imperatives: Subversion and Transcendence of the Petrarchan Tradition
This study explores two of Louise Labe's most renowned sonnets in order to address her complex relationship to the Petrarchan tradition. A detailed examination of the rhetorical structure of these sonnets reveals that Labe subverts and transcends the ontological model of the poetic speaker in P...
Autor principal: | |
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Tipo de documento: | Electrónico Artículo |
Lenguaje: | Inglés |
Verificar disponibilidad: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado: |
Sixteenth Century Journal Publishers, Inc.
1990
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En: |
The sixteenth century journal
Año: 1990, Volumen: 21, Número: 4, Páginas: 523-541 |
Acceso en línea: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Sumario: | This study explores two of Louise Labe's most renowned sonnets in order to address her complex relationship to the Petrarchan tradition. A detailed examination of the rhetorical structure of these sonnets reveals that Labe subverts and transcends the ontological model of the poetic speaker in Petrarch as well as in her Lyonnais compatriot Maurice Sceve. Labe's poetic project is shown finally to replace the tortured and fragmented lyric speaker of her predecessors with a new, unified reconstitution of the poetic subject. |
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ISSN: | 2326-0726 |
Obras secundarias: | Enthalten in: The sixteenth century journal
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Persistent identifiers: | DOI: 10.2307/2542185 |