Louise Labe's Conditional Imperatives: Subversion and Transcendence of the Petrarchan Tradition
This study explores two of Louise Labe's most renowned sonnets in order to address her complex relationship to the Petrarchan tradition. A detailed examination of the rhetorical structure of these sonnets reveals that Labe subverts and transcends the ontological model of the poetic speaker in P...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Sixteenth Century Journal Publishers, Inc.
1990
|
| Dans: |
The sixteenth century journal
Année: 1990, Volume: 21, Numéro: 4, Pages: 523-541 |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | This study explores two of Louise Labe's most renowned sonnets in order to address her complex relationship to the Petrarchan tradition. A detailed examination of the rhetorical structure of these sonnets reveals that Labe subverts and transcends the ontological model of the poetic speaker in Petrarch as well as in her Lyonnais compatriot Maurice Sceve. Labe's poetic project is shown finally to replace the tortured and fragmented lyric speaker of her predecessors with a new, unified reconstitution of the poetic subject. |
|---|---|
| ISSN: | 2326-0726 |
| Contient: | Enthalten in: The sixteenth century journal
|
| Persistent identifiers: | DOI: 10.2307/2542185 |