Inverting the ‘Gracelorn’ Father: Augustinian Notions of Evil and Goodness in Cormac McCarthy’s Outer Dark and The Road
Cormac McCarthy’s novels Outer Dark (1968) and The Road (2006) project different visions of fatherhood, yet both focus on men who travel dark, unnamed roads as they grapple with their responsibility to their children. The relation between the two novels indicates the possibility that fatherhood is t...
| Τόπος έκδοσης: | Literature and theology |
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| Κύριος συγγραφέας: | |
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Oxford University Press
2022
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| Στο/Στη: |
Literature and theology
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| Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός ΚΑΒ Εκκλησιαστική Ιστορία 30-500, Πρώιμος Χριστιανισμός KAJ Εκκλησιαστική Ιστορία 1914-, Σύγχρονη Εποχή NCB Ατομική Ηθική |
| Διαθέσιμο Online: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Σύνοψη: | Cormac McCarthy’s novels Outer Dark (1968) and The Road (2006) project different visions of fatherhood, yet both focus on men who travel dark, unnamed roads as they grapple with their responsibility to their children. The relation between the two novels indicates the possibility that fatherhood is the primary vehicle through which McCarthy explores good and evil. By drawing on Saint Augustine’s privative theory, this article suggests that evil in Outer Dark signifies an absence or perversion of virtue while The Road presents goodness as active submission to a moral authority. Reading the two novels together consequently affirms Augustine’s suggestion that ‘in vice there lurks a counterfeit beauty’. The portrayal of fatherhood in The Road elucidates the ‘counterfeit beauty’ of Outer Dark, which extends and deepens the theological dimensions of both works. |
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| ISSN: | 1477-4623 |
| Περιλαμβάνει: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frac001 |