Material in text, text in material: a tamil christian lullaby
In this article, I present a material-centered analysis of a Tamil Christian song titled Tiruchabai Tarattu, which was composed in 1813 by Vedanayaka Sastriar. Through this focused case study, I address the question of what is—or what ought to be—the relationship between material and textual analysi...
| Autor principal: | |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Taylor & Francis
2022
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| En: |
Material religion
Año: 2022, Volumen: 18, Número: 4, Páginas: 433-458 |
| (Cadenas de) Palabra clave estándar: | B
Vētanāyaka Cāstiriyār 1774-1864, Tiruchabai Tarattu
/ Canciones de cuna
/ Análisis de textos
/ Materialidad
/ Sensualidad
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| Clasificaciones IxTheo: | CD Cristianismo ; Cultura KBM Asia RD Himnología ZG Media studies; Digital media; Communication studies |
| Otras palabras clave: | B
Material Religion
B sensory corpus B textual studies B Hinduism B Children B Christianity B Tamil B South Asia |
| Acceso en línea: |
Volltext (lizenzpflichtig) |
| Sumario: | In this article, I present a material-centered analysis of a Tamil Christian song titled Tiruchabai Tarattu, which was composed in 1813 by Vedanayaka Sastriar. Through this focused case study, I address the question of what is—or what ought to be—the relationship between material and textual analysis in the discipline of religious studies. Rather than positioning material religion as a discrete approach to the study of religion, one that is often contrasted with textual studies, I propose that textual studies finds in material religion an invitation for significant growth since texts are mediated through the material. I am especially interested in sensory experiences and objects, the mainstays of material analysis, as they are found embedded in texts. By focusing on the sensuous and material elements highlighted by the poet, a study otherwise focused within the bounds of textual sources can pivot and expand to include non-textual sources. My assembly, description, and analysis of sources and experiences that span across media in and outside of texts allows me to build what I call a sensory corpus by which we understand the meaning—better, meanings—of South Asian Christianity. |
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| ISSN: | 1751-8342 |
| Obras secundarias: | Enthalten in: Material religion
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| Persistent identifiers: | DOI: 10.1080/17432200.2022.2090307 |